When 'Sex and the City' first graced television screens, Carrie Bradshaw, portrayed by the talented Sarah Jessica Parker, was not created to be a controversial figure. However, over the years, a fascinating cultural shift has emerged, with a growing number of modern fans viewing Carrie as potentially the most toxic element of the show, which is known for its provocative themes and bold storytelling. This perception has led to the establishment of a website titled Carrie Bradshaw Is the Worst, dedicated to articulating the grievances many viewers have with Carrie’s character. Key criticisms include her infidelity with nice guy Aidan and her penchant for self-absorption.

A viral essay postulated that Carrie represents television’s first female antihero. Now, at 60 years old, Parker has embraced this label, expressing her view that it allows Carrie to be as flawed and complex as the male antiheroes of television history. “I prefer that to any other description of her, because it allows her to be as male as the men have been,” Parker reflected. “I love 'The Sopranos' so much, and I look at all the times [Tony] was unlawful, and we loved him. Carrie has an affair and everybody falls apart.” She humorously questioned her own perspective, acknowledging, “Am I crazy? A lot of people love her too, though!”

Parker, in real life, is markedly different from the character she embodies. During her recent interview conducted in a Paris hotel room, where she was promoting the new season of the show's spin-off, 'And Just Like That', Parker appeared petite, enhanced by her stylishly oversized grey V-neck sweater worn over a floral dress. Her impeccable posture hinted at her background as a ballet dancer, underscoring her grace and poise.

The reception of 'And Just Like That' has been divisive, reflecting the continuing relevance of 'Sex and the City'. The spin-off has garnered both praise and criticism, particularly for its awkward handling of issues related to race and sexuality. Some long-time fans expressed their disappointment over the absence of Kim Cattrall’s Samantha Jones, while others found the introduction of Che Diaz, a non-binary character portrayed by Sara Ramirez, to be contentious. Yet, many viewers have appreciated the revival's exploration of grief and nostalgia, particularly as Carrie navigates life after the death of her husband, Mr. Big, in the opening episode. The new season promises to delve into Carrie’s tumultuous relationship with Aidan, alongside humorous escapades including Miranda’s accidental romantic encounter with a virgin lesbian nun.

Notably, Carrie’s iconic wardrobe remains a focal point of the series, showcasing a dazzling array of outfits that often defy conventional style norms. From extravagant hats that resemble picnic baskets to dresses embellished with numerous jangly charms, Carrie's fashion choices reflect a fantastical version of New York, one where residents indulge in glamour rather than athleisure. When asked about the city's current trend towards comfortable yet casual clothing, Parker responded thoughtfully, acknowledging the rise of athleisure but also expressing a desire to see more dressed-up moments. “You can’t be a hypocrite about it if you believe in wearing what feels good when you walk out the door,” she noted. “But the idea of legislating that is counter to a lot of stuff we’re meant to feel and live by.”

As the narrative unfolds, Parker anticipates that the show will present greater emotional depth and complexity. “I was excited about the way the relationship with Aidan would sort itself out, because there’s a new maturity to both parties, especially Carrie,” she explained. This maturation reflects the character's evolution as she faces life’s challenges with more experience and insight than in earlier seasons. “At this point in her life, she’s just more equipped, like we all are,” Parker added, emphasizing the character's development as a natural progression rather than a surprise.

However, some new characters introduced in 'And Just Like That' have been criticized for lacking the nuance of the original cast. Che Diaz’s portrayal, described as a caricature of queer culture, sparked significant debate among viewers and critics. Parker expressed her surprise at the backlash directed towards the character, admitting she had not been aware of the strong negative sentiments until a friend mentioned them. “I’ve been an actor for 50 years, and I’ve almost never paid attention to peripheral chatter,” she remarked, emphasizing her enjoyment of working alongside diverse talents.

Interestingly, while some fans have turned against Carrie’s character, younger generations on social media platforms like TikTok have embraced her as a messy, relatable protagonist. They resonate with her struggles and triumphs, often using her iconic “Single & Fabulous?” cover from New York magazine as a commentary on modern dating woes. Although Parker herself does not engage with TikTok, she is aware of this phenomenon through conversations with friends’ children, noting the generational differences in attitudes towards dating and relationships.

Reflecting on the enduring relevance of 'Sex and the City', Parker acknowledges the frustrations faced by women of all ages in today’s dating landscape. “It’s rather dreary that great women of all ages are still incredibly frustrated by the dating scene, but I also see a lot of happy endings,” she commented, suggesting that the series continues to resonate with audiences navigating similar experiences.

Parker also pointed out the cyclical nature of cultural conversations surrounding 'Sex and the City'. In the 2000s, the show faced criticism for contributing to the gentrification of neighborhoods like the meatpacking district. Today, discussions focus on the so-called 'West Village Girl', a stereotype depicting newcomers who idolize and emulate the show's lifestyle. Parker humorously admitted to learning about this stereotype from her husband, Matthew Broderick, and recognized the impact of young transplants on the city’s cultural landscape. “It happens – the West Village is a very charming advent calendar kind of neighborhood, and it’s been through many versions of this,” she noted, acknowledging the genuine concerns of long-time residents regarding rising rents and changes in their communities.

Parker's personal connection to New York is profound; she and her family moved from Cincinnati to Roosevelt Island in 1977, seeking opportunities in the city’s vibrant arts scene. She expressed deep concerns about the increasing inaccessibility of New York for working-class artists and the need for political support to promote affordable housing and preserve cultural spaces. “We lose what makes us singular,” she lamented, emphasizing the importance of artistic communities for the city's vitality.

Ultimately, Parker recognizes the complexities of being a public figure, particularly when embodying a character as iconic as Carrie Bradshaw. “Being a public person is complicated. It asks you to be generous of spirit at times in which you might have a child having a meltdown at an airport,” she reflected. Despite the challenges, Parker remains grateful for her career and the opportunity to revisit a beloved character.

'And Just Like That' is currently available on Sky Comedy and Now in the UK, and airs on Max in the US and Australia.