When the Broadway-themed drama Smash first premiered on NBC in 2012, it captivated the theater world with its unique blend of drama and musical storytelling. The show introduced viewers to the intricacies of Broadway, showcasing not just the creative process but also the personal struggles of its characters. Despite its rapid decline in both quality and ratings over its two-season run, the anticipation for a stage adaptation lingered in the air like a forgotten melody.

Fast forward thirteen years, and Smash The Musical has officially arrived on Broadway, opening its doors tonight at the Imperial Theatre. With a creative team filled with award-winning talent, including director Susan Stroman, a five-time Tony Award winner known for her work on The Producers, the show seemed poised for success. The score, crafted by the renowned duo Marc Shaiman and Scott Wittman, who brought hits like Hairspray and the underrated Some Like It Hot to life, adds high expectations to the production. The book, penned by Rick Elice of Jersey Boys fame and Bob Martin, who previously dazzled audiences with The Prom, promised a celebration of theater within a theater.

However, as the curtain rises on this new adaptation, it becomes clear that Smash The Musical is more inspired by the original series than a direct continuation. The production leans heavily into parody, often feeling like fan fiction rather than an homage. While it aims to evoke nostalgia, it risks alienating diehard fans who may find the tonal shifts jarring.

With a stellar cast featuring talented performers like Robyn Hurder, Brooks Ashmanskas, Krysta Rodriguez, John Behlmann, and the invaluable Kristine Nielsen, the show undeniably captivates its audience. Hurder stars as Ivy Lynn, a Broadway diva cast in the fictional musical Bombshell, which portrays the life of the legendary Marilyn Monroe. Wisely, the production strips away the soap opera elements that muddled the television series, focusing solely on the process of bringing this musical to life.

The storyline revolves around Ivys journey and her obsession with embodying Monroe. The director, Nigel (played by Ashmanskas), humorously warns Ivy that their portrayal of Monroe will not end with her tragic demise a lighthearted touch amidst darker themes. Ivy's character arc takes a troubling turn when she immerses herself in the Method acting techniques inspired by Monroes own journey, leading to detrimental behavior that harms her relationships and professional reputation.

The plot thickens as Ivys best friend and understudy, Karen (Caroline Bowman), unwittingly becomes embroiled in Ivys downfall when a laxative-laced cupcake leads to comedic chaos during the shows first performance. Enter Chloe (Bella Coppola), a former actress whose talent shines brightly, challenging the dynamics of the cast and the audience's expectations.

Unfortunately, while the production numbers are visually appealing and draw on iconic images of Monroe, the humor in the script sometimes falls flat. Repeated gags, such as Ivy's pill-popping and Nigel's tantrums, risk becoming tiresome. Although familiar tunes from the series like Let Me Be Your Star and The National Pastime resonate with fans, the music doesnt always leave a lasting impact.

Choreographed by Joshua Bergasse, who also designed the dance numbers for the television series, the production shines in its lively performances, even if the set design feels somewhat lackluster. Beowulf Boritts scenic work and Ken Billingtons lighting add vibrancy, but the overall presentation lacks a certain polish.

Perhaps the most perplexing aspect of Smash The Musical is its portrayal of Marilyn Monroe. Instead of honoring her legacy, the musical presents a cynical view, reducing the iconic star to a punchline. Ivy's descent into self-destructive behavior paints Monroe's legacy in an unflattering light, leaving audiences questioning the shows intentions. Despite Hurder's commendable performance, the production ultimately leaves viewers pondering what the fuss was truly about.

As the curtain falls on Smash The Musical, it is clear that while the show has its bright moments and talented performances, it may not resonate with audiences as deeply as hoped. The blend of humor and drama, once a hallmark of the original series, struggles to find a balance on stage.

Title: Smash

Venue: Broadways Imperial Theatre

Director: Susan Stroman

Book: Bob Martin

Music: Marc Shaiman and Scott Wittman

Choreography: Joshua Bergasse

Cast: Robyn Hurder, Brooks Ashmanskas, Krysta Rodriguez, John Behlmann, Kristine Nielsen, Caroline Bowman, Jacqueline B. Arnold, Bella Coppola, Casey Garvin, Nicholas Matos, Megan Kane, with Wendi Bergamini, Sarah Bowden, Jacob Burns, Deanna Cudjoe, Chelle Denton, Daniel Gaymon, Merritt David Janes, Ndaya Dream Hoskins, David Paul Kidder, Ian Liberto, Libby Lloyd, McGee Maddox, Connor McRory, J Savage, Jake Trammel, and Katie Webber.

Running time: 2 hr 30 min (including intermission)