In a spectacular show that marked a significant event for thrash metal enthusiasts, the legendary band Vio-Lence took center stage in London, supported by the formidable acts of Exhorder and the Paraguayan newcomers Kuazar. This tour not only celebrates the 35th anniversary of Vio-Lence's iconic sophomore album, Oppressing The Masses, but it also showcases the rich tapestry of thrash metal that continues to thrive across generations.

Thrash metal emerged in the early 1980s as a fierce counter to the glam metal that dominated the rock scene, and many American bands swiftly made their way to Europe to share their revolutionary sounds. Britain, in particular, was ready for a change, seeking either an evolution of the New Wave Of British Heavy Metal or a refreshing alternative to the synthpop that was prevalent at the time. The Bay Area and the East Coast of the United States became the primary breeding grounds for American thrash, giving rise to iconic bands such as Metallica, Megadeth, and Vio-Lence. Vio-Lences debut album, Eternal Nightmare, remains a classic in the genre, and the band's 1990 effort, Oppressing The Masses, solidified their place in metal history.

This momentous occasion was marked by Vio-Lence's first headlining tour across the UK and Ireland, drawing attention not just for their storied past but also for the impressive lineup accompanying them. The evening began with the energetic performance of Kuazar, a band that not only marked their debut in London but also made history as the first metal band from Paraguay to play in the UK.

Kuazar's set was nothing short of remarkable, showcasing their dedication to their roots and their ability to engage with the audience. Their recent album, Hybrid Power, provided a strong foundation for their performance, featuring standout tracks like "Obscure & Violent," which resonated well with the thrash crowd. The band also revealed their commitment to social issues through songs like "Silence," which speaks to mental health awareness and anti-suicide sentiments, and "Machete Che Pope (Acosta u)," a haunting tribute to the tragic events in their homeland. Their blend of heavy grooves and intense rhythms captivated the audience, who quickly warmed to their passionate stage presence, making them one of the most memorable openers in recent times.

As the night progressed, the crowd was treated to a set by Exhorder, a band synonymous with the evolution of groove metal. Hailing from New Orleans, Exhorder have made a significant mark on the heavy music landscape, and their performance was a testament to their enduring legacy. Currently promoting their fourth album, Defectum Omnium, released the previous year to favorable reviews, the band showcased their prowess by performing several tracks from this latest effort, along with classics from their widely acclaimed debut, Slaughter In The Vatican.

Vocalist Kyle Thomas, who has taken on the role of rhythm guitarist since 2022, has a natural charisma that endears him to fans. His laid-back yet engaging stage presence is precisely what British audiences appreciate. During the set, he entertained with witty remarks and relatable anecdotes, including a humorous dedication of "Unforgiven" to those who profess their religious devotion only on major holidays. The audience responded enthusiastically to the songs from Slaughter In The Vatican, particularly enjoying tracks like "Death In Vain" and "Desecrator," further cementing Exhorders reputation as a vital presence in the live metal scene.

For Vio-Lence, the journey back to the stage has been fraught with challenges, particularly for frontman Sean Killian, who faced serious health issues, including a diagnosis of stage 4 liver cirrhosis. After years of struggles, Killian made an inspiring recovery and is now leading the band with the same ferocity that fans remember. Joining him is a new lineup featuring guitarist Claudeous Creamer from Possessed, drummer Nick Souza (the son of former Exodus singer Zetro), bassist Jeff Salgado, and veteran guitarist Ira Black.

The band delivered a powerful set, focusing on their album Oppressing The Masses, performing every track but in a refreshing non-linear order. This choice made the experience feel spontaneous and engaging. Notably, they also performed selections from their debut album, though fans may have hoped for additional representation from their recent EP, Let The World Burn. Regardless, the audience reveled in classics like "Kill On Command" and "Calling In The Coroner," which received rapturous applause.

Despite the trials he's faced, Sean Killian's vocal performance remained impressive, showcasing a remarkable range that belies his age. Now in his sixties, his voice retains the youthful energy and punk spirit that define Vio-Lence's music. He enthusiastically directed the mosh pits, encouraging the crowd to unleash their energy, while the band executed their set with precision and intensity. The night culminated in a climactic performance of "World In A World," bringing the house down and leaving fans in a state of exhilaration. For anyone who has ever wanted to experience Vio-Lence live, this event served as a powerful reminder to seek them out. The band's return is not only a testament to their resilience but also a celebration of the enduring spirit of thrash metal.